THERE IS NO SUCH THING AS CHANCE, MERELY SYNCHRONY

The Battle of the Amazons | Metamorphoses 0xB09FE203 © Éric Petr, 2o2o

“My work constitutes a thought process on the nature of light – a quest for its essence.

I borrow light, in its most primitive form, as raw material, as the foundation, the architecture of my entire photography. Light is not used as something that can show or illuminate what is around us, but only for what it really is, for its undulating, corpuscular nature.

I fashion this light in such a way that its filtering, reflection or dazzling may redefine the space I happen to be in and offer a different perception of the world.

I ask the question of whether our actual perception is but a placement of our own selves in relation to the universe, and as a result, if this perception shapes our own comprehension of reality, or should I say, of a certain reality.

My work is part of a meditative endeavor, but one where I am personally detached from any introspection. I like the idea of being crossed by atoms, of feeling so vast that we have a sense of being in every place at once, yet also focused on just one point, the one my camera happens to be located in. I engage in long working sessions to record the vibration of a place, its atomic resonance, or its indecipherable atmosphere, and like a film whose duration plays out in just one image, a story unfolds according to the diction of scenography and movement whose inspiration is in sync with the elements composing this very place.

In my work on the “Metamorphoses”, light intervenes in a specific way on the reflection of objects, so that their scene setting in situ creates figures akin to dilated bodies, figures composed of floating ethers coalescing in complex and destructured shapes that the image, when developed, restores, as if they conformed to a potential reality.

These bodies do not belong to space or time, nor do they belong to our world, they are but aggregates of waves and particles locked in a perpetual motion, elements which come and collide with my inverted T wave, just for one, brief moment.

My photographic writing is direct, that’s to say that it enters into a narrow relationship with the material. It is born from a meeting that takes but an instant, fixed on the border of temporality, caught between a being and the universe. This is what we could call a point of contact between Heaven and Earth.

There is no such thing as chance, merely synchrony. My meeting with the DF Art Project is of this nature. I would never have thought that there could exist as many common points.

And if this beautiful meeting with Déstructuralisme Figuratif took place, it is also because all the elements had come together so that my work could contribute a humble stone to their edifice. And above all, the DF Art Project involves a communion of individuals around a societal thought on human beings and the infinite possibilities of transgressing their shape through a fragmentation of the figure. A whole aspect of my work enters into consonance with this position, one where figures dilate, and where this full expansion of my imagery aptly questions the conceptualization of these shapes and their quantic connection to reality.”

by Éric Petr

About Figurative Destructuralism

The structure DF Art Project, represented by the Figurative Destructuralism movement, is an artistic collective of living plastic artists sharing a vision of art which is common to them and by which artistic work is oriented towards a fragmentation of what is real. This reality is put into perspective, distorted or dynamically transformed.

Through this conceptualization, the artists position themselves against a rising tide of individualism, where human exchange has given way to rampant loneliness. Their introspective focuses on analysis and the multidimensional creation, where the surreal comes to the fore and where, more generally, new less human, more virtual interactions are created.

These perceptions aim to reveal, through what could be called an optimistic rally cry, a situation, probably generational, of a globalized society in the throes of mutation facing – a society faced with an uncertain, ever-changing future.

Through artistic creation, the DF Art Project presents its considerations on a society where true possibilities for the emancipation of mankind as well as like the independence of human imagination are being redefined.

https://df-artproject.com/en/

DF ART PROJECT | PARC FLORAL PARIS 2022

Dear Reader,

I am happy to tell you that I will participate in the DF Art Project exhibition which will be held at Pavilion 18 of the Parc Floral de Paris 12th district from 01.10 to 10.10.2022.

I will present five photographic compositions from a recent work on my “Metamorphoses”.

The highlights of this exhibition will be:

> The VERNISSAGE: Saturday October 1st from 6 p.m. with a Performance by Symphorien Demares & Catarina Melim and presentations of the Batik Workshop by the Collectif Seni7+ and that of the Collectif NY Collage Ensemble.

> The FINISSAGE: Sunday October 9 from 6 p.m. with a Performance by Anne Sophie Lancelin.

§  §  §


DF Art Project, makes beat the green lung of the 12th district of the capital!

The emerging collective of Figurative Destructuralism returns from October 1st to 10th, 2022 at the Parc Floral de Paris with a breathtaking program of contemporary artists. 

After three years of experience based on the recruitment of artists across the planet, DF Art Project is mobilizing to present for the third time its international collective within the 360 m2 of Pavilion 18. 

In this setting of the Floral Park, a real green lung of the capital that enchants 1 million visitors every year, more than 60 artists will exhibit their common vision of their art around the Figurative Destructuralism.

The Figurative Destructuralism is a societal reflection where the possibilities of emancipation of the man as the autonomy of his imagination are redefined. This conceptualization of artistic practices around the fragmentation of the figure brings together painting, sculpture, photography, drawing, collage, digital art, performance and installation.

The exhibition at Pavilion 18 is now the major annual meeting of the DF Art Project which since 2019 maintains a strong artistic line. See you from October 1st to 10th, 2022 to enjoy this real artistic walk in a natural environment to discover artists witness of our time. 

Free entrance by presenting this invitation at the gatehouse at the main entrance of the Parc Floral.
 

ITINERANCES OF BEING | MÉMOIRE DE L’AVENIR

Eric Petr « 0xC018DA04 » Métamorphoses • Photograph on dibond • 60 x 90 cm • 2015

ITINÉRANCES DE L’ÊTRE vol.2
04.09 – 02.10.2021

MÉMOIRE DE L’AVENIR
45/47 rue Ramponeau Paris 20e
M° Belleville [L2 – 11]

Opening: Tuesday to Saturday 11 a.m. – 7 p.m.
www.memoire-a-venir.org

9 artists are exhibited
Adèle Bessy / Adrien Conrad / Brno Del Zou / Eric Petr / Gregory Dreyfus / Juliette Frescaline / Marie-Christine Palombit / Suzanne Larrieu / Yohan Blanco

Mémoire de l’Avenir invites, for two consecutive exhibitions, the international artistic collective of DF Art Project, which brings together artists sharing a common plastic research, around the fragmentation of reality, its perspective, its distortion and/or its dynamic transformation.
The artists of the collective question the subject as much as the medium, through plastic, photographic, sculptural, performative, or video projects.
Text: Mémoir de l’Avenir

My exhibited photographs are from my theme “Métamorphoses”.

Métamorphoses are bodies in expansion like floating ethers, which take shape in complex and unstructured volumes that the image restores to the gaze as a possible reality.
Bodies which belong neither to time, nor to space, nor to our world but which are only aggregates of matter, waves and elementary particles in perpetual motion, to freeze at a moment T on my negative or my sensor.
Métamorphoses would be a photograph of the expansion of the universe, at a precise point in its trajectory, where spectra would take on random and recognizable forms containing the mnemic of the cosmos.
My photographic writing is direct; it is born from the encounter of a moment fixed on the thread of timelessness between man and the universe.

About Métamorphoses