I’m delighted to announce my participation in the Réalités Nouvelles Hors les Murs exhibition in Fuzhou, China!
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抽象融合 – ABSTRACT CONVERGENCE
ACADEMIC SUPPORT ・ 学米支持
OLIVIER DI PIZIO ・ 奥利维尔 • 迪埃 • 皮齐奥
ARTISTIC DIRECTOR ・ 艺未总临
JEAN-PIERRE BERTOZZI ・ 让-皮埃尔 • 贝尔托齐
BOGUMILA STROJNA ・ 博古米拉 • 斯特罗伊纳
CURATOR：ZHEN XI
策展人：甄熙
07.12.2024 〜 28.02.2025
法国新现实协会
艺术家群展
EXHIBITION
ARTIST COLLECTIVE
RÉALITÉS NOUVELLES – PARIS
www.realitesnouvelles.org
展覧地点｜EXHIBITION PLACE
福建省福州市晋安区宦溪镇 桂湖美术馆
Guihu Art Museum, Yuxi City, Jin’an District, Fuzhou City, Fujian Province
Baidu Maps: map.baidu.com/search/桂湖美术馆/
About the G-Lake Art Gallery at the Guihu Museum of Art・桂湖美术馆
The Guihu Art Museum is located in Fuzhou, the capital of Fujian province. It is committed to exploring the connotation of local Fujian culture in depth, and to presenting various academic research and artistic practices in a variety of exhibition formats. In addition to the exhibition, the Guihu Art Museum will also organize various special lectures, salons, workshops and literary fashion activities, and is equipped with independent libraries, public classrooms and cafés.
The art museum has long supported Fujian’s new generation of artists and cooperated closely with local art lovers and cultural and rural groups. It has also regularly invited art groups, artists, curators, designers and writers from outside Fujian province and around the world to make resident creations in Fujian. At the same time, the art gallery will also actively promote cultural exchange across the Strait.
Images and architectural presentation of the Guihu Art Museum
www.gooood.cn/g-lake-art-gallery-by-vhd-design-group.htm
Participating Artists・参展艺术家
️ Click on images to enlarge ️
ABOUT MY ARTWORK
VARIATIONS DE LUMIÈRE OPUS 5
Photographic triptych 2021 (33x150cm)
Copy #2/3 (+1 EA)
This opus is a continuation of a reflection on the essence of light and its effect on the perception of Being in its immediate or cosmic environment.
Light fascinates me by the duality of its state, at once corpuscular and undulatory, but also for everything that makes it our perception of the world.
My ” Variations de Lumière “, arranged by opus, present images born of my observation of light, revealing the gap in perception between the photographed reality and the photographic record.
It’s a metaphor, but I’d say that the medium of photography is particularly well-suited to this study, because the photons that strike my negative, materialized by impact points on the emulsion layer of silver halide crystals, or on the low-pass filter of a sensor, describe the corpuscular nature of light during the shooting phase.
Similarly, this material, used as a material, underlines the wave-like nature of light, when these impacts on the negative become oscillations on the paper.
From this observation of photons recorded at a moment ” T ” in their infinite course through the cosmos, at a precise point in the universe, comes this writing of light.
