PIXELS/PELLICULE – PHOTOGRAPHY & DIGITAL CREATION at ABSTRACT PROJECT Gallery

光 0xB9CD0582F Silver photograph 24x36cm [2025] presented at the exhibition Pixel/Pellicule Feb. 2026

Pixels/Pellicule explores the shifting boundaries between photography and digital creation, where the visible is transformed and reinvented.
Each artist questions matter, light, and trace, revealing the unexpected beauty of chance and imprint.

The ABSTRACT PROJECT Gallery exhibition, on view from 5.02 to 14.02.2026, proposes an original approach that questions photography in its experimental retrenchments, where the image ceases to be a simple recording of reality to become a veritable territory of experimentation.

At the crossroads of silver film and pixels, the visible is transformed, fragmented and recomposed. What seemed stable becomes uncertain, what was given is reinvented. The image is no longer simply a reflection of the world, but the site of a metamorphosis.

Each approach questions the very material of photography. Light, sometimes controlled, sometimes left to chance, reveals unexpected forms. Surfaces blur, contours shift, accidents become language. Traces, whether chemical or digital, are never neutral. It carries the memory of the gesture, the process, the time inscribed in the image.

In this hybrid space, “controlled” chance plays an essential role. It is not a flaw to be corrected, but a creative force capable of bringing out unexpected beauty. Errors, alterations and technical shifts open up new readings and shift our gaze. The image becomes an imprint, both fragile and persistent, oscillating between disappearance and revelation.

Pixels/Pellicule offers a reflection on our contemporary relationship with images. Between materiality and immateriality, between control and letting go, these works invite us to slow down, to observe differently, and to accept that photography is no longer a certainty, but an experience in perpetual transformation.

ABSTRACT PROJECT exhibition
5.02 ~ 14.02.2026

on a proposal by
Michel-Jean DUPIERRIS and Jun SATO

A place for creation, reflection and dissemination
5 rue des Immeubles Industriels – 75011 Paris
Métro Nation
Open Wednesday to Saturday from 14:00 to 19:00

URBEX, PLACES AND ENERGIES

Koh Chang Island ghost boat © Éric Petr, photograph in January 2025

I’m not a photographer specializing in URBEX (Urban Exploration), but I can be drawn to certain sites where I feel an extraordinary energy, which in this case compels me to record it and visually extract its trace, memory or presence.
I’m going to present two photographic narratives, one of which was taken at the bottom of the island of Koh Chang in Thailand, and the other on Hashima, an island off Nagasaki in Japan.

Koh Chang, Elephant Island and its Ghost Boat

This is a site invested by a local billionaire to create a highly original hotel complex, but built on a site that is sacred to the Thais.

In Thailand, many places are considered sacred: ancient cemeteries, sites of worship… Yet some have been redeveloped for real estate projects, such as Bangkok’s Suvarnabhumi airport. However, the most prestigious Buddhist monks and priests generally take care to purify these places before any construction takes place.

In a way, it’s a request for permission from the deities to avoid offense.

Of course, if you don’t believe this nonsense, I recommend you stop reading immediately, or you’ll be wasting your precious time.

But the site I’m talking about wasn’t purified by the monks. So it became cursed, and a spell was cast.

We went there, however, and although we prayed at the Buddha altar on site, my wife, who was the investigator of this unusual epic, had an accident the very next day, and was deprived of the use of both her arms from the start of our stay. Rest assured, it was only for 6 weeks.

But the story doesn’t end there.
We were accompanied by a couple of friends, and they too were injured a few days later: one in the knee, the other in the back.

Many would say it’s just a coincidence. Personally, I don’t believe in chance or bad luck. Life is much more complex than that.

Whatever the case, this place is imbued with a very special vibration that everyone can feel. And even if you’re standing by the beach, under the coconut palms, a strange, almost indescribable energy grips you and makes you dizzy.

To read the rest of the story and see the photographs, click here ….

NIPPON JAPON & ÉTIQUETTE | BLOG

nipponjaponetiquette.com/bateau-fantome-koh-chang-grand-lagoona


Gunkanjima, the ghost island © Éric Petr, photograph in octobre 2023

Gunkanjima: The Warship and the Ghost Island of Hashima

Hashima is an island near Nagasaki, more commonly known as Gunkanjima, because of the shape it evokes: that of a warship.
“Gunkan” means “warship”, and “Shima” or “Jima” refers to an island.

The island was a mining site from the end of the 19th century until the 1970s.

As mining operations expanded, more and more workers settled on the island—first the miners themselves, then their families, and later various professionals essential to maintaining the site. By the 1950s, Hashima had become a densely populated city, reaching an astonishing 85,000 inhabitants per square kilometer!

Now abandoned for almost 50 years, exposed to the dreaded weather of the East China Sea and frequent, merciless typhoons, the island has allowed itself to be overrun by nature.

Recently classified as a UNESCO World Heritage Site, the mining town is no longer accessible for security reasons, but visits are still possible in small groups in certain authorized parts of the island.

To read the rest of the story about Hashima Island and see the photographs, click here ….

NIPPON JAPON & ÉTIQUETTE | BLOG

nipponjaponetiquette.com/hashima-gunkanjima-ile-fantome-nagasaki