You can enlarge the image by zooming[Ctrl] and [+]
My negative is like the painter’s canvas and the light, his brush.
Thus the axiom posed, the ray of light is fixed; it is the device that must be mobile.
As if the painter had to move his canvas to paint with a brush fixed to the wall.
This is how I lay the foundations of my photography.
光の痕跡 means “Light Writing” in Japanese.
